Firstly it is very important to consider what you are trying to achieve in advance. Purgatory is our world and as a decent painter, but by no means the best, I have to try and push my boundaries each time to bring that wow factor as we want people to be inspired by the characters and the paint job plays a big part in that.
So to 'set the scene'. Mike is a singer of the band. It is no small coincidence that his weapon, also happens to be a Mic (see what we did there?) but he is sometimes the front man, but Barry is the true star so where does that leave Mike? Mike is that edgy guy, the one that looks scruffy but kinda trendy, really following the fashion style of the moment. That moment is the 80's.... now I was quite young at the time and avoided the fashion faux-pas' of the time but I recall enough of denim jeans with holes, leather jackets and boots with buckles and zips.... So when we designed this guy, that Lux knocked out the park as a sculpt on Lorinda's art we considered what he WAS...
So when the model ended up in hand, I knew what and who he was, so it was quite easy to visualise how I wanted him to turn out. Soul Glow glistening afro, mixed race, white shirt, worn leather (that should be fun) jacket with zips and stuff, shiny black shoes to almost carry of that awesome monochrome look and of course, the faded denim. Initially I though about faded black, but with the jacket, shirt, hair and shoes, this was too much and the blue denim would catch the eye.
It sounds a bit laborious but I have learnt that it's best to know where you are headed before you depart, it's very much a method.
The next important part, before I even pick up the 'blade' is source material. I mean, I don't wear leather coats and whilst my jeans are faded, they are certainly not 80's. Have an ipad (or other non brand specific tablet) to hand and search what you are trying to achieve, as a friend of mine would say 'Google provides'. Look at images, study them and see how they 'behave'... ok the points of light and shadow on your model will be very different but it gives you something to think about and may stop you from going the wrong way.
Ok... so now on to the denim itself.
The paints I used are:
GW The Fang
GW Fenrisian Grey
Vallejo Dark Blue
Now the process: (note, you will find MUCH better tutorials with the likes of Ben Komets and Massive Voodoo (actually pretty much everywhere else) )
Step one. I typically use grey primer as a base. I don't have an airbrush, though I keep toying with the idea, I have still not dropped my balls into that basket so to speak, so this is all brush work. I know others swear by black primer and some others do the zenith lighting thing with white and black. For me and it is down to preference, I start with a grey primer. Why? It allows me to see shadow and highlight easier, though this won't be the same for everyone. Equally it allows me to go up in brightness and down in shade to create a depth in the areas without too much work.
Step two. Using a 60/40 Black/Dawnstone I use this semi watered down colour to start adding the depth. I don't always start dark first but it gives me something to glaze over later and gives me some indicators as to where I want the shadows to be. The image below, kind of shows that, you can see some lighter areas on the nearest leg by the knee, backside and top of the back trailing ankle.
You will also see in the image on the left leg (as you look at the image) that a blue shade has been added. this part of the jeans is very much in transition and is not the finished thing. You can see that in the difference between the detail of this and a later image.
The black/dawnstone mix is used around the inside of the legs, around the bottom of the crotch and around areas that 'point' downward and would therefore be shaded from light. This step does some of the zenith light work for you. I use watered down colours and repeat the process, pushing or pulling the paint into the recessed areas, this method grans the pigment and places the concentrated pigment in the darker areas, leaving a lighter 'residue' that can be glazed over for a smooth transition.
This image shows you where I have placed the lightest areas of the jeans. I am effectively with this step choosing where the faded areas of the jeans are going to be. If you look at your own faded, 80's hand me down jeans (or research online of course) you will notice that the areas that are most faded are:
- Bum, backside, buttocks, derierre etc
- Knees in particular and gradually growing darker as you go up the thigh
- Zipper or button fly, specifically the edges where they rub
- Pocket edges or parts of the jeans that rub against something, say keys in a pocket
- Bottom of the legs and the seams
- Water down your paints
- Choose when to glaze
- Know what you want to paint
- Use reference material
- Push the boundaries but have fun and don't stress out